Description

After years of friendship and sporadic live collaborations, Granado (São Paulo) and Abdala (Goiânia) have finally brought their creative synergy into a full-fledged project. Despite the geographical distance, a collaboration was inevitable — and now, it has become a reality.

The creative process moved swiftly once the exchange of ideas and files began. While the exact timeline is a blur, the inspiration remains clear: life itself. Musical influences are ever-evolving, shaped by experiences and time, but the essence of this project remains rooted in a deep connection to existence.

The sonic landscape is built from an eclectic palette: samplers, bells, synthesizers, drums, marimba, vibraphone, bass, violas, and more to create an elegant tapestry of sound that pays homage to the past while forging new paths forward.

At its core, this project is a tribute to tradition and lineage, hence Filhos (Sons). We are all products of what came before us, and through music, we strive to honor that legacy—carrying it forward into the future.

Artwork by Guilherme Granado

Master by Gonçalo F. Cardoso

About each artist:

Guilherme Granado stands at the forefront of Brazil’s experimental music scene. A native of São Paulo, he has been instrumental in several influential groups such as Hurtmold (formed in 1998), São Paulo Underground (with Chicago-based cornetist Rob Mazurek and drummer Maurice Takara) and Bodes & Elefantes among many other collaborations with esteemed artists like Pharoah Sanders, Naná Vasconcelos, and Bill Dixon, underscoring his significant role in the global music community.

Hailing from Goiânia, Bruno Abdala has carved a unique niche in the Brazilian music landscape. His work seamlessly fuses traditional Brazilian sounds with contemporary electronic elements,

creating a distinctive and innovative musical style. Abdala’s collaborations span various genres and artists, reflecting his versatility and commitment to musical exploration.